Two of the Same Person

Sylvia Plath?s, The gong Jar, and Henrik Ibsen?s, A boo?s family unit, portray scarlet tanold ager women who try to live their lives deep down their respective time periods of the 1950?s and the 1870?s. Esther Greenwood and Nora Helmer both use their bodies and their intimate urge to their advantage. Esther is depicted as an main(a) char cleaning woman, further breaks downwardly as she reaches the age of 20. Nora is a rattling babelike woman, barely disc overs herself and her own independence. In the end, both women front to relieve angiotensin converting enzymeself both a dull yet better(p) futurity. The representative women of the mid-fifties and the 1870s did non use their sexual assemblage for anything. Those women were often looked down upon. Esther, however, use her grammatical gender as a form of re campana shapeion. Esther largely represents a woman rattling ahead of her time. She refuses to be a typical 50?s woman who settles down, loses enti believe inhalation, and be educes a ?slave? to her husband. Esther says, ?I never cerebration for wiz minute that br otherwise Willard would moderate an affair with anyone? ?Well, yes, I have,? blood brother utter finally??I almost brute(a) over? (Plath 69-70). She feels betrayed and hated by Buddy, so she plays with her virginity to grow avenge on Buddy Willard. Esther also toys with her virginity in ordain to rivalry the stereotype of women legal transfer themselves for marriage. When she finally loses her virginity, she does non feel a spectacular change, yet she gives her avenge on Buddy and the world. Nora has antithetic motives, yet uses her body and sexuality to recrudesce her way nonetheless. Nora knows she is attractive and she knows that she has great pull over Torvald. When he asks her what she wants for Christmas, she flirts with him by do with his coat solelytons and as yettually gets him to supply her the money she wanted. She embraces her sexual make out and uses it to her advantage. Nora says, ?(looks at him for a moment). For discompose! (Hits him lightly on the stake heel with the stockings.) That?s to vindicate you. (Folds them up again.)?Not a unmarried thing more, for existence so naughty? (Ibsen46). In sight to get Dr. post to speak to Torvald on Krogstad?s behalf, she flirts with Dr. Rank. She is to the near aware what her sexual allure bottomland get her. Esther, wayward to the stereotype, is an extremely indie woman. She refuses to marry, due to the fear of her divergence of ambition and her refusal to conform. Esther does not trust on anyone, and feels that she would be faint-hearted if she does. Esther does not even rely on her own take when she admits, ? She said she was sure the doctors legal opinion she had done something wrong because they asked her a mess hall of questions ab step up my arse training, and I had been perfectly practised at a very early age and donor her no trouble whatsoever?I hate her? (Plath 202-203). flat with this independence, she travel into a retroflexion and essentially loses her self. This raises the question, is that because she wasn?t qualified on anyone? One would draw so, but Esther eventually finds herself erst again. Nora, throughout the play, represents a typical 1870s woman who is extremely hooklike on her husba and has a family.

She, of course, has her differentiating qualities, but she is a general 1870s woman. Torvald is the reference point of her everything. Her clothes, jewelry, and feed all elicit from the money that Torvald makes. She is incapable of functional and bread and butter herself because that is what she had large up believing. Torvald says, ?Nora! The same unretentive featherhead! Suppose, now that I borrowed cardinal pounds today, and you spent it all in the Christmas week, and then on new(a) Year?s even a slate brute(a) on my head and killed me, and--? (Ibsen 6). This summarizes the completed social expectation of the 1870s. The quintessential ?husband? treats the ?married woman? as a madam and is full aware that the wife is vigor without him. ?The husband?, of course, would not even shutter to think that the ?wife? would ever book or leave him. Consequently, Torvald is flabbergasted when Nora discovers her confessedly self and walks out on Torvald. Esther, an independent rebel, crumbles under the pressures of conformity. Nora, a typical housewife, finds herself and her independence. On the other hand, Esther ends up slowly purpose herself, yet realizes the bell totter can always come back down on her. Nora also finds herself, yet one must think more or less how a single woman in the 1870s can give up for herself. A bleak yet bright future indistinctly shines on both Esther and Nora. BibliographyThe Bell Jar by Sylvia PlathA Dolls House by Henrik Ibsen If you want to get a full essay, order it on our website: Orderessay

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